The only problem with this is there were quite a lot of whispering and phone screens out during the music at yesterday's opening, so you won't see me at Carmen again this summer. This is a great first opera, and I hope the production brings out lots of new people, as it seems to have so far. In his last aria, he moves from imploring to cajoling to demanding, every phrase with a different color with an immediacy that doesn't require knowledge of French to understand. Her Don José, tenor Matthew Polenzani, has a depth of emotional range that is palpable in his voice. Though her dancing lacks verve, she moves with a lank grace, and her Carmen is robust. Otherwise she gave a strong, vital performance. The Adlers all were great, I especially liked mezzo Ashley Dixon and soprano Natalie Image as Mercédès and Frasquita, they are well matched and charming.īridges is remarkably consistent, her voice had only the slightest few catches at first. However, the many soli throughout the piece were all very nice, particularly the clarinet solo at the beginning of the last act. There were brief unfocused moments, as when the children's chorus entered or in the smugglers quintet in Act II. Maestro James Gaffigan conducted a sprightly orchestra. It was clear she was able to engage the audience. I always like Zambello's humanistic details, as with Captain Zuniga's struggle to get free when he is bound at the end of Act II and the possible observers to Carmen's tragic end up at the top of the arena.

The set is efficient, there's no dead time in-between acts, and the performance clocks in under three hours since is only one intermission and cuts to the dialogue.

I very much remembered the warm orange-reds of the stage and the orange tree in the middle of the stage in Act I. The playing was lovely, there was lots of good singing, and the production is attractive and sleek.

Quite an exaggeration, at best I've seen this opera twenty-five times, though I have seen this staging by Francesca Zambello way back in 2007 at Royal Opera, Covent Garden in London.Īs it turns out, the performance was enjoyable. 'Enjoy your hundredth Carmen!' teased my husband as I left for the opening of the latest production of this opera at San Francisco Opera last night.

Carmen sf opera